Tasmanian Media Awards


Awards night tickets now on sale


Journalist of the year Katri Uibu (front centre) with other winners at the 2023 Tasmanian Media Awards.

Winners of the 2024 Tasmanian Media Awards will be announced at the Aurora Event Space, Crowne Plaza, Hobart on Friday, May 31.

Awards will be announced for the following categories:

  • Arts Reporting
  • Best New Journalist (open to journalists with three or less years’ of experience in journalism)
  • Best News Image
  • Best News Story
  • Comment & Analysis
  • Excellence in Legal Reporting
  • Feature, Documentary or Current Affairs
  • Freelance Journalist
  • Health Reporting
  • Journalist of the Year
  • Public Service Journalism
  • Science, Technology & Environment
  • Sports Coverage

For more information, please email MEAAstateawards@walkleys.com.

The Tasmanian Media Awards are an initiative of the Media, Entertainment & Arts Alliance and are the pre-eminent Awards for journalists in Tasmania. The Awards recognise and reward excellence and encourage professionalism through ethical reporting.

Entries to the 2024 Tasmanian Media Awards are open to work published, broadcast or televised in Australia in the 12 months from January 1, 2023, and December 31, 2023.

All entrants must be a resident of Tasmania at the time of publication or broadcast.

Entries open at 9 AM on Monday, February 12, 2024, and close at 11.59 PM on Tuesday, April 2, 2024.


The 2024 Awards categories are:

ARTS REPORTING
  • This award recognises excellence in reporting on issues associated with the Arts.
  • Entrants may submit a maximum of THREE stories, NOT NECESSARILY RELATED, to be judged as indicative of their work.

BEST NEW JOURNALIST
  • This category is open to all journalists with THREE or less years’ experience working in the industry who show a flair for reporting, a dedication to producing high-quality work and a demonstrable potential within the craft.
  • Entrants for this award should submit a portfolio of work of UP TO FOUR pieces.

BEST NEWS IMAGE
  • This award recognises the special role that photography/camera operators play in getting the message through to the reader/viewer of publications or broadcasts.
  • Judges are looking for the best use of the medium to advance a news story or a feature article. However, the emphasis generally will be on the news value or impact of the image/s and the skills that the photographer has exercised in obtaining the image.
  • Entrants may submit a maximum of SIX images, NOT NECESSARILY RELATED, to be judged as indicative of their work. If a series is submitted AT LEAST ONE of the images must have been published/broadcast.

BEST NEWS STORY
  • This award recognises the best news story of 2023.
  • Judging criteria include the newsworthiness of the article/s, the impact on the reader, compliance with the ethics of the profession, writing excellence, skill of the writer, the depth of research, and any public benefit. Print includes daily and weekly publications, magazines and online or wire service.
  • Entries in this category may be a SINGLE short news report or one or MORE REPORTS entailing coverage on the same subject.
  • Entrants may submit a maximum of THREE stories on the SAME issue or subject.

COMMENT & ANALYSIS
  • This award recognises the best commentary or analysis in a news story of 2023 delivered in any media.
  • The judging criteria includes the newsworthiness of the article/s, the impact on the reader, listener or viewer, compliance with the ethics of the profession, writing excellence, skill of the journalism, the depth of research and any public benefit.
  • Entrants may submit a maximum of THREE stories, NOT NECESSARILY RELATED, to be judged as indicative of their work.

EXCELLENCE IN LEGAL REPORTING
  • This award recognises excellence in legal reporting in journalism.
  • Entrants may submit a maximum of THREE stories, NOT NECESSARILY RELATED, to be judged as indicative of their work.

FEATURE, DOCUMENTARY or CURRENT AFFAIRS
  • This category aims to recognise feature stories, current affairs, analysis of news events and longer reports. Reports should highlight research, effective storytelling and impact and have been produced ethically. Public benefit and courage in reporting will be considered favourably.
  • Entrants may submit a maximum of THREE stories on the SAME issue or subject.

FREELANCE JOURNALIST
  • This award recognises the unique and growing contribution that freelance journalists make to the industry. Judging will be based on editorial independence, newsworthiness, research, writing, production, incisiveness, impact, public benefit, ethics, originality, innovation, and creative flair.
  • Entrants may submit up to FIVE pieces, NOT NECESSARILY RELATED, to be judged as indicative of their work.

HEALTH REPORTING
  • This award recognises excellence in reporting on issues associated with health issues.
  • Entrants may submit a maximum of THREE stories, NOT NECESSARILY RELATED, to be judged as indicative of their work.

PUBLIC SERVICE JOURNALISM
  • This award aims to celebrate journalism’s role in informing citizens as part of our democratic system. It is about journalism that aims to make a difference, with tangible public benefit to the community in Tasmania.
  • Journalism which this award encourages can include:
  • Journalism that focuses on human rights;
  • Good civic journalism which gives a voice to the voiceless in our community;
  • Journalism which starts a public debate on an important issue;
  • Journalism which exposes incompetence or wrongdoing by those who should be working for the common good, especially in government or any institutions affecting the public; and
  • Journalism which points to solutions to important issues within the community or society which it serves.
  • Entries in this category may be A SINGLE STORY or no more than THREE related reports on the SAME subject.

SCIENCE, TECHNOLOGY & ENVIRONMENT
  • This award recognises excellence in reporting on issues associated with Science, Technology and Environment.
  • Entrants may submit a maximum of THREE stories, NOT NECESSARILY RELATED, to be judged as indicative of their work.

SPORTS COVERAGE
  • This award recognises the special nature of sports reporting in our media and is open to all journalists working in the area.
  • Entrants can submit up to THREE items on either a single theme or THREE different themes involving a sporting issue. The judging will be based on the timeliness of the work, the impact on the reader, listener or viewer and the journalist’s apparent ability to impart an understanding of the subject.
  • Entrants may submit a maximum of THREE stories, NOT NECESSARILY RELATED, to be judged as indicative of their work.

JOURNALIST OF THE YEAR
  • This award is judged on a BODY OF WORK, THREE (3) stories minimum, SIX (6) stories maximum, which shows:
  • The journalist has demonstrated skill in breaking stories that have an impact on the state/national news agenda.
  • The journalist has shown initiative and investigative skill.
  • The journalist has demonstrated a commitment to journalism in the public interest.
  • The journalist consistently produces work that is both informative and entertaining.

Other criteria considerations:

  • Impact and contribution to society: The journalist’s work(s) bring to light important information and significantly contribute to public understanding.
  • Research and Investigation: The journalist’s work(s) are well researched, they draw on the most relevant sources and contribute new information.
  • Perspective: The journalist’s work(s) provide a balanced coverage of the issue, seamlessly incorporating a range of views or details.
  • Presentation: The journalist’s work(s) entertain and inform. They are professionally written and presented, capturing and holding the audience.
  • Judges can consider other categories winners for this award as well.
  • Entrants must submit a minimum THREE stories and a maximum of SIX, NOT NECESSARILY RELATED, to be judged as indicative of their work.

 

 

 


Peer Nomination Only
KEITH WELSH AWARD FOR OUTSTANDING CONTRIBUTION TO JOURNALISM
  • PEER NOMINATIONS for the 2024 Keith Welsh Award for Outstanding Contribution to Journalism are now open. Click here for more information.
  • To be eligible for this award, a journalist must demonstrate a consistently high standard of achievement and a commitment to quality journalism.
  • Please email all nominations, plus any supporting materials/statements, to meaastateawards@walkleys.com by 11.59 PM on Tuesday, April 2.

Entries open 9am, Monday, February 12, 2024 and close at 11.59pm on Tuesday, April 2, 2024.

All entries must have been published, broadcast, or televised in Australia in the 12 months from January 1, 2023 to December 31, 2023. Eligibility for these Awards is based on independent acts of journalism, free from any commercial or corporate interests.

All entrants must certify that their entry, apart from normal sub-editorial/production treatment, is their original work and that they have adhered to the MEAA Journalist Code of Ethics (‘Code of Ethics’) in the work preparation, and have complied with any relevant copyright requirements.

Judges will also be required to certify that they have read and understood the Code of Ethics and will apply it in judging entries.

All entrants must provide a professional headshot (individual or team) and biography of 150 words written in the third person. Joint, group, and team entries should provide only one bio reflecting all entrants and their contribution to the story and one team image.

All entrants (or lead entrant) must complete the Entry Questionnaire.


Eligibility
  • Entries must be factually based and must be primarily the work of an entrant or entrants whose principal and permanent residence is in Tasmania. The work may be supported by colleagues interstate. Entry into the awards is based on residency in Tasmania, not the content relating to Tasmania. Tasmanian-based journalists who undertake short-term assignments overseas (6 months or less) can enter the awards.
  • Entry is open to journalists who have self-published, including blogs and social media.
  • Self-published entrants should provide relevant URL links and, where possible, verification of the work’s authenticity. If the entrant is verifying their own work, they must make this clear in their response to the entry questionnaire.
  • All entries must declare any legal and other formal complaints and/or proceedings concerning the subject work. This includes, but is not limited to: defamation actions, contempt of court actions, suppression orders, complaints lodged with the publisher or author concerning accuracy, corrections or claims of plagiarism relevant to the work at the time of entry.
  • Entrants must declare if the creation of the work involved payment or financial benefit or material support, including in-kind contributions, for information, an interview or access, and the nature of that payment.
  • Entrants must declare any use of artificial intelligence (AI) used in producing the works entered. This includes but is not limited to data scraping, using language-based systems such as ChatGPT for writing and scripting, transcription services such as Otter.AI and AI image tools to create artwork, photography, data visualisation and other graphics. The use of AI will not necessarily disqualify an entry, but transparency is important.
  • Entrants must enter only once in each category. Journalists entering more than one category must complete a separate entry form for each entry in each award category.
  • Team entries may include up to five people with the name of the team clearly stated. Entries must be primarily the work of an entrant or entrants whose principal and permanent residence is in Tasmania. Entry must include substantial collaboration before publication on the same piece of work. This should be clearly outlined in the entry questionnaire.
  • Each entry must be verified by a representative of the employer/commissioning media organisation.
  • Nominations for the ‘Journalist of the Year’ are not confined to category winners.
  • The entrant acknowledges that MEAA and the Walkley Foundation may reproduce, broadcast, and communicate materials submitted for the purpose of promoting the Awards, conducting the presentation ceremony, and making the finalist and winners’ entries available to the public.

To facilitate access for judging, entrants provide work on an accessible URL. If the work is behind a paywall, the entry should provide a log in details for judges to access that work. If the work is behind a paywall, it is strongly advised that entrants also upload a copy of the entry (e.g. as a .PDF or .mp3 file) as work submitted without current log in details may not otherwise be able to be judged.


Cost of entry
  • The cost of entering the awards, including GST, is $85 per entry for journalists and photographers. MEAA waives the entry costs for its financial members as a benefit of MEAA membership. Financial members are not required to pay the entry fee except where a non-member is part of a group entry, in which case the normal entry fee ($85 per entry) is required.
  • To qualify for the fee waiver, MEAA members must retain financial MEAA membership for a minimum period of 6 months after joining.
  • If you have lost your MEAA membership number or would like to speak to someone about joining, please phone 1300 65 65 13.

Judging criteria and considerations

The purpose of the Tasmanian Media Awards is to recognise creative and courageous acts of factually based journalism that seek out the truth and give new insight to an issue.

You can find information about the judging process and criteria that form part of the terms and conditions of entry here.

Please note:

  • Judges have the right to reject an entry that, in their opinion, does not comply with the terms and conditions of the awards and/or in their reasonable opinion misrepresents an essential element of the story’s subject matter. The judges’ decision will be final.
  • The MEAA Board reserves the right to withdraw award(s) if it later finds the entrant did not comply with the entry/eligibility criteria. This includes where the content has demonstrably been established to be misleading or false.
  • Where a runner-up can be determined for an award that has been withdrawn, the award will be awarded to that entry.

Photography Awards

The Best news image award recognise visual journalists producing still and video photography for any platform. Criteria include storytelling, courage, public impact, creativity, innovative use of technology, technical ability and resourcefulness and can include sound slides and photo film. Photographers should reference the category descriptions for each category when preparing their entries.

Photographers are also invited to enter their work in relevant All Media categories, where applicable, in the Awards. Photographers are eligible to enter photographic work in All Media categories such as Camerawork as an individual entrant or as part of a group or team entry.

Only photos published between January 1, 2023 and December 31, 2023 are eligible for entry.

Please see the category descriptions for further information. Below are the number of images you can submit per category:

  • News Photography up to 6 images, not necessarily related.
  • Feature/Photographic Essay (where applicable) can comprise 5 to 12 images in a series with at least one published Image.

Material specifications for photographers

  • Images must meet the following specifications:
    • Images must be uploaded in .jpg/.jpeg format
    • Images should be at least 3,000 pixels in size
    • Each image should be saved in the .jpg/.jpeg format with a medium to high quality.
  • All required image information, such as the creation date, place, and country, as well as the caption/description must be provided. It can be included in the metadata of the image files or entered on the entry website after uploading the images.
  • The content of an image MUST NOT be altered. Only retouching that conforms to currently accepted standards in the industry is allowed. No cloning, montaging or digital manipulation other than cropping, ‘digital spotting,’ burning and dodging is permitted. The judges are the ultimate arbiter of these standards.
  • Entrants must not intentionally contribute to, or alter, the scene they picture by re-enacting or staging events.
  • Entrants must ensure captions are accurate and provide information in the entry questionnaire that is open and transparent about the entire process through which their pictures were taken and published.
  • Participants who are longlisted by the first-round judges may be contacted and required to provide file/s as recorded by the camera for all images in order to proceed to the final stages of the contest. These file/s will be requested and examined confidentially during the judging period. A failure to provide these files if requested will lead to the elimination of the entry that will not proceed into the final rounds and will not become eligible for an Award.

How do I enter the Tasmanian Media Awards?

Entry to the 2024 Tasmanian Media Awards opens on Monday, February 12, at 9 AM. Enter via the State Media Awards platform at: statemedia.awardsplatform.com.

Entries close on Tuesday, April 2, at 11.59 PM. There will be no extensions.

How are entries judged?

The peer judging panels for all the State Media Awards are composed of media professionals, academics, and previous award winners. A panel of three judges will determine the finalists based on the criteria specified. Click here for more information.

What are the criteria for judging?

Award winners are chosen on the basis of journalistic excellence. This will vary according to individual categories but, in general, criteria will include:

  • Newsworthiness
  • Research
  • Writing
  • Introduction
  • Incisiveness
  • Impact
  • Public benefit
  • Ethics
  • Originality
  • Innovation
  • Creative flair

Judges also take into consideration the resources available to the entrant/s and the effort expended in the preparation of the submitted work.

Who runs the State Media Awards?

The Media, Entertainment and Arts Alliance (MEAA) and the Walkley Foundation administer a series of hotly-contested state media awards each year. Entry is open to all journalists and media professionals across all forms of print and electronic media based in each of the participating states: Tasmania, South Australia, Queensland, Western Australia, and the Northern Territory.

We are proud to present this awards program to highlight the important work that the regional media industry delivers each day to the local, national and international arena. These awards are an enduring benchmark of excellence for media professionals across Australia.

How will the finalists be notified?

Entrants will be notified of the nominees via AwardForce (the platform used to submit their entries). All finalists will receive a separate notification, detailing the next steps.

When will the finalists be announced?

All finalists will also be publicly announced via the Tasmanian Media Awards website and MEAA’s X page. Plus, a press release will be sent to all Tasmanian newsrooms.

When will the winners be announced?

The winners will be announced at an awards presentation in your state. Stay up-to-date here.

Will entries be returned?

No. Entries will not be returned. Please keep copies of all submitted materials.

 

How much does it cost to enter the State Media Awards?

Those who enter do not have to be members of the Media, Entertainment & Arts Alliance (MEAA). The Awards entry administration fee, however, is waived for MEAA members as one of the benefits of their membership. Contact MEAA to discuss your membership options, or to check your membership number.

The cost of entry to the Tasmanian Media Awards for non-members is $85.

If your news organisation wishes to be invoiced for your entry, please contact meaastateawards@walkleys.com for a code.

Who do I contact if I have more questions?

For entry support, email: meaastateawards@walkleys.com.

Where can I find further information about the State Media Awards?

For information on all matters related to the State Media Awards, please contact the MEAA Events and Awards Manager via email at: meaastateawards@walkleys.com.

 Can I sponsor the State Media Awards?

Absolutely. The State Media Awards would not be possible without the generosity of our sponsors and partners. If you are interested in partnering to support any of our State Media Awards, please contact MEAAstateawards@walkleys.com for a confidential discussion.

Does the Walkley Foundation have a Newsletter?

Yes, the Walkley Foundation sends weekly newsletters and occasional updates on our awards, exhibitions, screenings and training across Australia. You can subscribe here.

Journalist of the year Katri Uibu (front centre) with other winners at the 2023 Tasmanian Media Awards.

ABC News Hobart reporter Katri Uibu has been named the Tasmanian Journalist of the Year following a year-long national crowd-sourced investigation into the abuse and mistreatment of children in state care. The body of work she entered to the 2023 Tasmanian Media Awards also earned her the ‘Best News Story’ award.

“Hearing many graphic disclosures of assault took a toll – but seeing the impact my work had encouraged me to keep going,” Katri wrote in her statement of entry to the Tasmanian Media Awards. “Despite extreme resistance from departments, I went to great lengths to convince whistleblowers to go on the record.”

Katri has been with the ABC for eight years and holds a doctoral degree for her research into domestic violence media coverage.

“Her work is of huge public interest and benefit, already resulting in one parent being reunited with their child and Federal Attorney General Mark Dreyfuss promising to address these horrific problems,” the judges said. “This was investigative journalism at its best.”

See more judges’ comments below.

Katri was among 13 category winners named at a special cocktail event at Waterside Pavilion in Hobart on Friday, May 26.

This year, the awards attracted 121 entries. Seven panels of judges, composed of media professionals, academics and previous award winners, chose 12 overall winners on the basis of journalistic excellence. Other considerations included the resources available to the entrant/s and the effort expended in the preparation of the submitted work.

“For 23 years now, I have had the honour and privilege of being involved in the Tasmanian Media Awards, recognising excellence and the vital role of public interest journalism,” said Mark Thomas, the Media, Entertainment & Arts Alliance (MEAA) President for Tasmania.

“This year’s entries are full of stories that changed Tasmania’s political landscape and led the national conversation.”

Adam Portelli, MEAA Deputy Chief Executive, said  journalists continue to serve their communities by reporting on the issues that matter to Tasmanians. “This year’s entries have again highlighted the breadth and quality of journalism in Tasmania,” Mr Portelli said.

Mr Thomas gave special mention to Adam Holmes who has picked up the ‘Excellence in Legal Reporting’ award two years running, and ABC Hobart visual journalist Luke Bowden who was named a finalist in five categories, winning the Feature, Documentary or Current Affairs category with a team entry.

Luke is a two-time winner of ‘Best News Image’ at the Tasmanian Media Awards (2019 & 2021).

“I’d like to thank everyone who entered our awards, and the awards’ sponsors for your great support of Tasmanian journalism,” Mr Thomas further remarked.

The full list of winners and the judges’ comments can be found below.


  • Best News Image supported by Media Super  

    • Eve Woodhouse – The Advocate Newspaper (ACM) – “Unwelcome news”

     Judges’ comments: Eve Woodhouse’s entry of five strong individual images showcased a tenacity to get the shot and get to the scene as well as the delicate balance of being an unwanted presence while capturing tragedy in her neatly themed entry ‘Unwelcome News’. The Scott Morrison tackle was a defining shot of the 2022 election campaign and while we saw many entries of the whale stranding, Eve’s had emotion and impact the others lacked.


    Comment & Analysis supported by Unions Tasmania

    • Amber Wilson – The Mercury Newspaper – “Commission of Inquiry”

    Judges’ comments: This was a particularly difficult category in which to choose a winner. All entries were exemplars of very fine journalism and the analysis shed light on a range of issues affecting Tasmanians. Judges acknowledge that much of this analysis is happening with limited resources and increasing time pressures in busy newsrooms, and the results show a passion and commitment to producing quality journalism. Local news content in 2022 was dominated by the proceedings of the Commission of Inquiry, and coverage produced multiple examples of ethical and insightful journalism. Ultimately, the winning entry in this category displayed a consistently high level of research, and a commitment to keeping the public informed.


    Arts Reporting supported by MEAA

    • Gabriella Coslovich – Nine Newspapers – “Investigating the visual arts”

     Judges’ comments: Gabriella Coslovich stood out in a very competitive category as a compelling writer and shrewd investigator at the tricky intersection of the visual arts and the arts market. In these pieces, Gabriella shines an important light on unscrupulous practices in the Australian art market, while keeping her eye on the artists at the heart of these stories.


    Science, Technology & Environment supported by The Mercury

    • Zoe Kean – ABC Radio Hobart – “Death life and science in the Anthropocene”

    Judges’ comments: The judges were impressed by the storytelling ability showcased by entrants in this category. Zoe Kean’s pieces were surprising, original and beautifully told. Her thoroughly reported stories were a delight to read, spotlighting the impact of climate change and conservation wins.


    Sports Coverage supported by MEAA

    • Chris Rowbottom – ABC News Online – “Body of Work”

    Judges’ comments: In a year when sport-related stories have dominated the Tasmanian public discussion, Chris Rowbottom’s work provided insights beyond the usual parameters of sports reporting. Chris’s work on the complex negotiations surrounding Tasmania’s AFL bid, his investigation into the governance of TasRacing, and analysis of the JackJumpers fairytale rise are all local stories that demand national attention.


    Health Reporting supported by MEAA 

    • Adam Langenberg – ABC News – “Body of Work”

    Judges’ comments: Amid a pool of high calibre entries, Adam Langenberg’s reporting stood out for its insight into the Tasmanian health system and the toll its shortcomings can have on people’s lives. Adam’s reporting on the unfairness of Tasmania’s guardianship system, the suspension of chief psychiatrist Aaron Groves, and the shortage of neurological specialists in the state showed his skill turning a news tip from a contact into a compelling set of exclusive stories.


    Freelance Journalist supported by Launceston Freelance Festival

    • Bob Burton – Tasmanian Inquirer – “Secret state”

    Judges’ comments: Bob Burton’s original investigations shone a light on matters crucial to Tasmanians, including the functioning of the state’s democracy. His pieces were well-written, informative and fair, despite clear roadblocks from the government and industries.


    Public Service Journalism supported by TasCOSS

    • Alexandra Humphries – ABC – “Election grants”

    Judges’ comments: Alexandra demonstrated an impressive level of investigative skill and dogged reporting, over many months, to break this story, which set the agenda for newsrooms across the state and helped to spark a parliamentary inquiry into the issue. By essentially “following the money”, Alexandra exposed a political practice that has been described as “electoral bribery”. And the stories she produced were concise and compelling, distilling what could have been a murky and complex topic into something that was accessible and easy to understand. Her work – in print and broadcast form – expertly highlighted the outrageous nature of the practice, a clear benefit to the public, who have a right to know but rely on the news media to follow that paper trail and report back.


    Excellence in Legal Reporting supported by MEAA 

    • Adam Holmes – The Examiner Newspaper (ACM) – “Commission of Inquiry, Body of Work”

    Judges’ comments: Adam Holmes’ reporting on the Commission of Inquiry into the Tasmanian Government’s Responses to Child Sexual Abuse in Institutional Settings was second to none. The body of work submitted reflected Adam’s deep knowledge and understanding of the subject matter and his commitment and ability to regularly report on the commission while under daily deadline pressure for unrelated stories is further testament to his talent and capabilities.


    Feature, Documentary or Current Affairs supported by ABC News

    • Lucy MacDonald, Will Murray, Maren Preuss, Luke Bowden, Dane Meale, Paul Strk, James Dunlevie – ABC – “Inside the prison for kids”

    Judges’ comments: The entries in this category were of an exceptionally high standard this year, demonstrating excellent research, storytelling and tenacious investigative skills across multiple media platforms. The judges were particularly impressed by the number of stories which are being told in new and innovative ways, responding to changing audience habits and needs. The winning entry not only told a very important story, but did so with invention and originality, and the result had incredible impact. The quality of research and production values evident in the winning story demonstrate the importance of news organisations committing time and resources into producing meaningful stories, which require attention beyond the 24/7 news cycle.


    Best News Story supported by Media Super

    • Katri Uibu – ABC – “Bad parent life at the hands of Australia’s child protection system”

    Judges’ comments: Katri provides a harrowing insight into the child protection system and neglect, racism, child abuse and government failure. Judges were unanimous in their decision due to the extensive year-long investigation undertaken by a journalist to give a voice to those who were fearful to speak out. Through crowd sourcing and contact with 1300 people, it shows dogged determination by a journalist to get beyond the ‘PR’ responses of authorities. The reports resulted in the issue gaining the attention of the federal Attorney-General. Its impact is best defined by the response to a mother who said this story “saved” her son who now had a chance to heal. The production is very sophisticated and sensitive, contributing to the overall impact of the piece. A fine example of investigative reporting – without fear or favour.


    Best New Journalist supported by the University of Tasmania 

    • Makenna Baily – Southern Cross Austereo / 7 Tasmania News – “Body of Work”

    Judges’ comments: Makenna’s entry demonstrated great skill on breaking news and colour. Her stories were sharp and informative. Her live crosses were particularly impressive, given her limited experience. Acknowledging her recent entry to the profession, the limited resources at her disposal and the quality of her work, Makenna was the clear winner of the category. More generally, it was heartening to read Tasmania’s new journalists’ dedication to local news. It was a difficult category to judge, and Tasmanians are well served by their up-and-coming journalists.


    Journalist Of The Year supported by MEAA

    • Katri Uibu – ABC – “Bad parent life at the hands of Australia’s child protection system”

    Judges’ comments: Katri’s series of excellent investigative stories expose and shed much-needed light

    on Australia’s failing child protection system, revealing hundreds of confronting, raw, shocking and often graphic accounts of stories of horrific sexual, physical and mental (as well as racial) abuse endured by children both in and out of the system of child protection. Her work is of huge public interest and benefit, already resulting in one parent being reunited with their child and Federal Attorney General Mark Dreyfuss promising to address these horrific problems. This was investigative journalism at its best.


  • Best News Image supported by National MEAA State Awards Partner Media Super

    • Luke Bowden, Naomi Jackson, Paul Strk, Alison Costelloe, Dane Meale – ABC Hobart – “Body of Work (Cinematography)” 
    • Eve Woodhouse The Advocate newspaper (ACM) – “Unwelcome news” 
    • Luke Bowden – ABC Hobart – “Body of Work (Photography)” 

     

    Comment & Analysis supported by Unions Tasmania

    • Adam HolmesThe Examiner newspaper (ACM) – “Timeline: the moments when Griffin could have been stopped” 
    • Bob BurtonTasmanian Inquirer – “Follow the money” 
    • Amber WilsonThe Mercury newspaper – “Commission of Inquiry” 

     

    Arts Reporting supported by MEAA

    • Gabriella Coslovich – Nine Newspapers  – “Investigating the visual arts”
    • Linda Smith The Mercury newspaper – “Giving Women A New Voice” 
    • Luke Bowden – ABC News – “Mary Pridmore’s Final Exhibition” 

     

    Science, Technology & Environment supported by The Mercury

    • Luke Bowden – ABC Hobart – “Sam McLennan’s Ocean Debris Raft”
    • Zoe Kean – ABC Radio Hobart – “Death life and science in the Anthropocene”
    • Adam MortonGuardian Australia – “Body of Work” 

     

    Sports Coverage supported by MEAA

    • Luke Bowden – ABC News  – “Shane Warne Memorial”
    • Chris Rowbottom – ABC News Online – “Body of Work” 
    • Bailey Kenzie – WIN News Tasmania / Sports Entertainment Network (SEN) Tasmania – “Body of Work – AFL Football” 

     

    Health Reporting supported by MEAA

    • Selina Ross – ABC News – “How one small town is tackling its mental health crisis”
    • Lachlan Bennett – ABC News – “The Towns That Refuse To Be Torn Apart By Trauma”
    • Adam Langenberg – ABC News – “Body of Work

     

    Freelance Journalist supported by Launceston Freelance Festival 

    • Lydia Hales – ABC News Tasmania/Guardian Australia – “From national ‘news you can use’, to uncovering hidden healthcare breaking points and wild wonders in Tasmania”
    • Bob BurtonTasmanian Inquirer – “Secret state” 
    • Zoe Kean – ABC Radio Hobart – “From Tassie to the world tales of environment science and a dash of politics”

     

    Public Service Journalism supported by TasCOSS

    • Alexandra Humphries – ABC – “Election grants” 
    • April McLennan – triple j Hack/ABC News – “Unconverted” 
    • Joshua PeachThe Examiner newspaper (ACM) – “Council candidate unmasked as president of neo-fascist group Tassie Proud Boys (PSJ)”

     

    Excellence in Legal Reporting supported by MEAA

    • Alex TreacyThe Mercury newspaper – “Three Unrelated Disputes” 
    • Adam HolmesThe Examiner newspaper (ACM) – “Commission of Inquiry, Body of Work” 
    • Loretta Lohberger – ABC News – “Tasmania’s child sexual abuse shame”

     

    Feature, Documentary or Current Affairs supported by ABC News

    • April McLennan – triple j Hack/ABC News – “Unconverted” 
    • Lucy MacDonald, Will Murray, Maren Preuss, Luke Bowden, Dane Meale, Paul Strk, James Dunlevie – ABC – “Inside the prison for kids” 
    • Rob InglisThe Mercury newspaper/TasWeekend – “Grace Tame profile”

     

    Best News Story supported by National MEAA State Awards Partner Media Super

    • Chris Rowbottom – ABC News Online – “Hobart Stadium” 
    • Katri Uibu – ABC  – “Bad parent life at the hands of Australia’s child protection system”
    • Joshua PeachThe Examiner newspaper (ACM) – “Council candidate unmasked as president of neo-fascist group Tassie Proud Boys”

     

    Best New Journalist supported by the University of Tasmania

    • Makenna Baily –  Southern Cross Austereo / 7 Tasmania News – “Body of Work”
    • Joshua Duggan – from 7 Tasmanian News – “Body of Work”
    • Joshua PeachThe Examiner newspaper (ACM) – “Body of Work”

     

    Journalist Of The Year supported by MEAA

    • April McLennan – triple j Hack/ABC News – “Unconverted” 
    • Alexandra Humphries – ABC – “Election grants”
    • Katri Uibu – ABC  – “Bad parent life at the hands of Australia’s child protection system”


  • Best News Image supported by Media Super
    ● Luke Bowden, ABC, “Body of work”

    The judges said:

    “Luke’s collection of images share a strong theme of pain and power between them. Capturing the solo image of Ms Vass entering court shows his tenacity to get the shot, while his attention to detail while covering the child sexual abuse inquiry captures a unique moment away from the spotlight of the speakers. From big national headlines such as Tim Paine and Grace Tame, Luke demonstrates his obvious capability across a range of story types with an ability to get to the heart of it.”

     

    Comment & Analysis supported by Unions Tasmania
    ● Emily Baker, ABC, “Body of work”

    The judges said:

    “Emily Baker’s work has had an undeniable impact on political discourse in Tasmania. Emily is sympathetic to sensitive issues and has demonstrated great strength, bravery and courage in her reporting. Her ability to research, investigate and analyse complex issues shows what an asset skilled journalists are to their community.”

     

    Arts Reporting supported by the Judith Neilson Institute
    ● Sarah Aitken, The Guardian and The Hobart Magazine, “Body of work”

    The judges said:

    “Sarah’s three pieces show a keen eye for a story and a sensitive approach to her subjects. Her smart writing is crafted with passion and heart, balancing the needs of both a local and national readership, expertly placing Tasmanian artists and audiences within a national conversation.”

     

    Science, Technology & Environment supported by MEAA
    ● Ellen Coulter, ABC News, “Tasmanian rivers”

    The judges said:

    “The judges were split between two of the finalists, but after much debate decided that Ellen’s series of important, incisive and thoroughly researched stories on the deterioration of Tasmanian rivers – and the efforts to keep a bombshell report about the situation from becoming public – deserved to be recognised with this award.”

     

    Sports Coverage supported by MEAA
    ● Brett Stubbs, The Mercury, “Ashes coverage”

    The judges said:

    “Through a very strong field of nominees, this year’s judges chose The Mercury’s Brett Stubbs’s coverage of the recent Ashes test as this year’s winner in the Sports Coverage category. Brett’s reporting covered the politics of Tasmania’s Ashes bid, the cultural importance of the event, and the history of Tasmanians involvement in the Ashes in a series of well-researched and well-written features.”

     

    Health Reporting supported by MEAA
    ● Lachlan Bennett, ABC, “Tackling mental health in rural Tasmania”

    The judges said:

    “Lachlan Bennett’s reporting of the mental health issues plaguing rural Tasmania was an example of excellent storytelling of a sensitive topic that is often put in the too-hard basket. Lachlan delicately reported on the heart-breaking nature of suicide while steering away from the usual reporting on mental health and focusing on the unique ways in which rural Tasmanians were finding their own support in often challenging settings. His reporting on teenage pilot Bob Bramley’s journey to spread mental health awareness across Australia showed Lachlan’s commitment to long-term reporting at a time of resource constraints in newsrooms across the country and was a true example of how following a story from the beginning to the end can lead to compelling storytelling.”

     

    Freelance Journalist supported by Launceston Freelance Festival
    ● Zoe Kean, ABC Everyday, ABC News, ABC Science and The Guardian (UK), “Science with a splash”

    The judges said:

    “Science reporting is an underappreciated art and good science reporters are often overlooked. Among a competitive field of candidates who, in one way or another, were working in service to the public interest, Zoe Kean’s winning entry in 2022 showed a command of her subject, but also versatility in her ability to produce stories for local, state, national and even global audiences. Zoe demonstrated enthusiasm, care and dedication to her craft, weaving together subjects that, at first glance, may seem unassuming or insignificant, but were explored in-depth to reveal the hard science beneath. She showed a willingness to follow the story wherever it led, from the heart of the Amazon to the humble garden in south Hobart. In so doing, she not only documented for her readers the realities of climate change and the consequences of unfettered industrial activity but introduced them to typically niche and inaccessible subjects like soil science.”

     

    Public Service Journalism supported by TasCOSS
    ● Sue Bailey, The Sunday Tasmanian, “Breach of trust”

    The judges said:

    Breach of Trust by Sue Bailey ticks all the boxes in terms of public service journalism: it focuses on human rights, gives the voiceless a voice and started debate on an important issue. Sue’s work has sparked a series of conversations into the inner workings of public institutions and will hopefully open the door for greater action to protect the vulnerable in our community.”

     

    Excellence in Legal Reporting supported by MEAA
    ● Adam Holmes, The Examiner, “Blame-shifting and abuse cover up in Education Department”

    The judges said:

    “Adam Holmes’ thorough reporting of the Commission of Inquiry into the Tasmanian government’s responses to child sexual abuse is testament to the trust he has developed with contacts, including a victim-survivor. Throughout this series of stories, Adam’s pressure on the Education Department helped lead to a report – which had not been planned to be released until the finalisation of the Commission of Inquiry – eventually being made public. Adam’s reporting also detailed how the department’s mishandling of information helped lead to a $5.3 million settlement to be reached with victims. This body of work is a stellar example of the role public interest journalism can play in helping give a voice to the voiceless and facilitating genuine and meaningful social change.”

     

    Feature, Documentary or Current Affairs supported by ABC News
    ● Lucy Shannon, ABC, “Tasmania’s dental health crisis”

    The judges said:

    “Lucy’s work has drawn much-needed attention to an issue that is complex and preventable. To be able to cover such a sensitive subject, and have people speak so openly about it, is a testament to her professionalism. She covered this story comprehensively while showing a genuine concern for the affected community.”

     

    Best News Story supported by Media Super
    ● Emily Baker, ABC, “‘I’m real see’: The Adam Brooks saga”

    The judges said:
    “The judging panel was unanimous in finding Emily Baker’s investigation into Adam Brooks the clear winner of this category. It was impactful, thorough journalism that was also riveting to watch, and a service to the women centred in her reporting. Helen Kempton and Ainsley Koch are also to be congratulated for their impressive work.”

     

    Best New Journalist supported by MyState Bank
    ● April McLennan, ABC, “Body of work”

    The judges said:

    “New journalists are the lifeblood of the media industry and their enthusiasm for telling stories is vitally important to the communities they work and live in. April’s body of work was compelling and demonstrated her ability as a new reporter to cover issues of importance to Tasmanian viewers and readers in a professional and careful way. From the enduring mystery of Eve Askew’s disappearance to the follow-up piece on the murder of Jake Anderson-Brettner after his killer’s sentence, each of April’s stories were not only newsworthy and well-researched, but incisive and polished. Her portfolio demonstrates her considerable potential as a journalist.”

     

    Journalist Of The Year supported by the Judith Neilson Institute
    ● Emily Baker, ABC, “Body of work”

    The judges said:

    “The judges awarded Emily Baker as the clear winner of the Journalist of the Year category. She broke exclusive stories and showed great bravery in bringing them to light and pursuing them, despite considerable pressure from both the Government and Opposition. She explained the significance of her stories, bringing them into context for a much wider audience. She was able to gain the trust of people to allow her to tell their stories. Her stories were original, impactful and had far greater reach than just the Tasmanian market.”

  • Tasmanian Journalists of the Year for 2021 Amber Wilson (left) and Annah Fromberg.

    Annah Fromberg, ABC and Amber Wilson, The Mercury were joint winners of the 2021 Journalist of the Year announced in Hobart on Friday, May 7.

    The judges said both winners had the x-factor in their stories and journalism, across multi-media platforms. Annah Fromberg had a forensic approach to her reporting which led from a Tasmanian story to connections in the Northern Territory, Queensland and NSW. Amber Wilson showed great tenacity to tell a sensitive story which was the catalyst for change in Tasmania.

    David Brill and Tony King were both awarded the 2021 Keith Welsh Award in recognition of outstanding contribution to journalism in the state.

    The judges outlined the impact of David and Tony’s dedication to the craft as well as to Tasmania. David spent decades travelling the world, covering most of the major international conflicts of the past 50 years – the fall of Saigon, the fall of the Berlin Wall and on assignment in Afghanistan, the Balkans and South America. David worked as a video journalist for SBS’ Dateline program from 2006-2016 and continues to work with ABC journalists and at UTas.

    In a career spanning five decades Tony King has earned the reputation as Tasmania’s most dependable news cameraman – the man in the right place, at the right time, getting the angles that guarantee the best coverage of any breaking event.

    MEAA’s Regional Director for Victoria and Tasmania, Adam Portelli, said the judges of this year’s awards were extremely pleased with the quality of the entries. The Tasmanian Media Committee congratulates all the finalists and winners for this year.


    Best News Story supported by Media Super

    • Amber Wilson, The Mercury, “Hush, Hush”

     

    Best News Image supported by Media Super

    • Brodie Weeding, The Advocate, “Stranded”

     

    Arts Reporting supported by MEAA

    • Tim Martain, TasWeekend, “Where did you come from?”

     

    Health Reporting supported by MEAA

    • Emily Baker, ABC, “Child and Adolescent Mental Health Service Woes”

     

    Science, Technology & Environment supported by MyStateBank

    • Tim Martain, TasWeekend, “River and Ocean”

     

    Sports Coverage supported by TasRacing

    • Chris Rowbottom, ABC News and online,“Body of work”

     

    Comment & Analysis supported by Unions Tasmania

    • Adam Holmes, The Examiner, “Body of work”

     

    Excellence in Legal Reporting supported by Butler, McIntyre & Butler

    • Amber Wilson, The Mercury, “Monster Hid in Plain Sight”

     

    Feature, Documentary or Current Affairs supported by ABC News

    • James Boyce, Tasmanian Inquirer, “Tasmanian Poker Machine Bill Feature”

     

    Public Service Journalism supported by TasCOSS

    • Annah Fromberg, ABC News and online, “Brahminy Investigation”

     

    Best New Journalist supported by The Mercury

    • Erin Cooper, ABC News online, ABC News Tasmania 7PM bulletin and ABC News, “Body of work”

     

    Journalist Of The Year supported by MEAA

    • Annah Fromberg, ABC News online and ABC TV News, “Body of work”
    • Amber Wilson, The Mercury, “Body of work”

     

    Keith Welsh Award For Outstanding Contribution To Journalism supported by MEAA

    • David Brill
    • Tony King

  • The winners of the 2020 Tasmanian Media Awards were announced via an online event on Friday, May 15.

    Best News Image supported by Media Super

    • Mitchell Woolnough, ABC, “Portfolio of Work”

    The quality and techniques demonstrated throughout Mitchell’s work, displays an enormity of creativity in the execution – often during enduring circumstances. The imagery is well captured and the storytelling powerfully illustrated throughout. A worthy winner.

     

    Comment & Analysis supported by Unions Tasmania

    • Simon Bevilacqua, The Mercury, “The magical lost art of the spiral punt”, “Shells and shacks; a reverie on the Tasmanian way of life”, “China syndrome: It’s time to talk about the dragon in the room”

    Bevilacqua’s style of writing draws the reader into his mind. You can almost hear it churning over with every sentence consumed. He has a great ability to write about a broad range of topics and past times and with original storytelling that is easy to read, engaging and informative.

     

    Arts Reporting supported by MEAA

    • Frances Vinall, The Examiner, “How Vicki Madden went from Brooks High to TV powerhouse”, “The grassroots movement of men fighting to be able to be vulnerable”, “How the true-blue Workers Club became Launceston’s hippest party space”

    Frances’s work is deeply connected with her community, helping share the stories of proud, passionate and talented locals. It’s clear she has a natural talent for storytelling. Her writing is engaging and captures a growing confidence within Tasmania’s arts sector.

     

    Science, Technology & Environment supported by Telstra

    • Alexandra Humphries, ABC, “Salmon industry panel ‘inherently compromised’, experts told the minister in leaked resignation letter”, “Long Bay Algae”, “Experts quit salmon farm approval panel after raising concerns, but reasons remain hidden”

    The judges were extremely impressed with the high quality and breadth of the entries in this category – from wombats to digital futures to climate change and Huon Pines. However, the judges were unanimous in naming Alexandra Humphries from the ABC as the winner, for her body of work. She applied her investigative skills and contacts to obtain much-needed clarification to an FOI document about the Expert Salmon Panel. The inclusion of the voices of experts/scientists in the story was also excellent, and something often missing from news stories about scientific issues. The reporter also raised pertinent issues surrounding the FOI process, pointing to transparency questions which have dogged the government.

     

    Sports Coverage supported by MEAA

    • Tom Johnson, 7 Tasmania, “The Resilience and Fragility of Regional Football in Tasmania’s North West”

    Tom’s body of work presented an underlying theme, that is, the ‘silent death’ of local sport, in this case football.
    Tom ventured into the small towns of the north west of Tasmania each with 100-year sporting records capturing the raw emotions of long-standing members faced with huge losses within the social fabric of their communities. These stories presented the best of localised journalism in the truest sense, with excellent and compelling reporting.

     

    Health Reporting supported by MEAA

    • Linda Smith, The Mercury, “People Power”

    Linda has shown a diverse range of extremely well written stories of the personal heartache affecting daily lives with sensitivity, empathy and awareness of suffering, combined with presenting the reader with a clear understanding of medical issues and conditions that affect Tasmanians, women in particular. Through engaging writing, the stories demonstrated a strong understanding with an absorbing delivery. Her win is well deserved.

     

    Public Service Journalism supported by TasCOSS

    • Frances Vinall, The Examiner, “Reporting on lead contamination at Pioneer”

    Frances Vinall’s series of stories on lead contamination in the water supply in the North-East Tasmanian town of Pioneer stood out because they had such a huge, positive impact on the local community. Frances’ stories not only led to significant improvements in the town’s supply of healthy drinking water but also subsequently to the residents’ health. Her stories were a great example of good, honest, civic journalism which has made a big difference to the lives and health of people who were not necessarily able to make their voices otherwise heard.

     

    Excellence in Legal Reporting supported by Butler, McIntyre & Butler

    • Loretta Lohberger, The Mercury, “After the verdict”

    A previous winner in this category, Loretta has shown growth and maturity, and continues to show strong compassion in her stories. Her coverage of the Neill-Fraser case injects a subtle tabloid style albeit, in parallel with excellent reporting of key facts, combined with elements of empathy, good sub-structure and a well-founded break-down of the components in the case. Loretta’s body of work also included the Otto murder trial, informative and well presented as a matter of high public interest and the Catholic Standard’s Apology to Cardinal Pell, this story in particular showed professional quality in research in obtaining a copy of the Standard before it was withdrawn. A worthy winner.

     

    Feature, Documentary or Current Affairs supported by MEAA

    • Frances Vinall, The Examiner, “Forced adoption: stolen babies, family secrets, unsolved mysteries”

    It was an incredibly strong field in the Feature, Documentary or Current Affairs category, the calibre of entries was wonderful to read. Frances’ piece on forced adoptions was ultimately chosen as the winner for the beautiful writing, the way she took you on a journey telling Carol’s story, but also the courage in publishing the piece for subscribers only online because of legal limitations. It was skilfully written, evocative in its telling. The level of trust Frances clearly gained from Carol as she recalls her trauma of forcibly giving her child up for adoption and then the discovery later on of Carol’s own beginnings.

     

    Best News Story supported by Media Super

    • Sharon Webb, Meander Valley Gazette, “How Westbury became a site for a new prison”

    This series of stories demonstrates the best in local reporting – understanding what is important to the community, political and community contacts, an ability to dig beneath the surface, persistence and relevance to a wider population. The story-telling is crisp and concise. As local news outlets disappear, this winner demonstrates what Tasmanian communities stand to lose.

     

    Best New Journalist supported by The Mercury

    • Frances Vinall, The Examiner, “Forced adoption: stolen babies, family secrets, unsolved mysteries”, “Call for inquiry into Pioneer’s lead-contaminated drinking water”, “‘Go back to your country’: Why skilled migrants leave Launceston”, “The nine nuns living cut off from the world in West Launceston”

    In her second year at The Examiner, Frances has demonstrated a passion beyond words on a page. Her original reporting style went further than facts and figures, by introducing readers to the human faces behind the stories. The judges would also like to commend Erin Cooper for her strong entry.

     

    Journalist Of The Year supported by Tourism Industry Council Tasmania

    • Rhiana Whitson, ABC News, “Tasmania’s health crisis”

    Rhiana was relentless in her pursuit of stories that highlighted widespread issues within the Tasmanian health system. Her reporting sought to put a human face to the toll taken by surgical delays, budget cuts and mismanagement. Using her extensive network of contacts, and a dogged approach to newsgathering, she broke a succession of stories that generated national interest, and helped put health firmly at the top of the local political agenda.

     

    Keith Welsh Award For Outstanding Contribution To Journalism supported by Peter George

    • Peter Curtis

    Peter Curtis has been one of the ABC and Australia’s most outstanding camera operators, working in Tasmania and around the world – Moscow, the Middle East, Washington included – for the past four decades. What makes Peter such a deserving Keith Welsh winner has been his collegiality with all colleagues, assisting journalists and camera operators to improve their craft and careers.

  • Best News Image

    supported by Media Super

    • Luke Bowden, The Mercury, “Sue Hickey steals Speakership on first day of Parliament”

    Judges’ comments: Luke’s work captured the drama of an extraordinary morning in Tasmanian politics. Sue Hickey’s election to the Speaker’s chair blindsided the Hodgman Government and Luke’s image of the Premier looking towards the backbench for answers is now seared into the minds of Tasmania political followers.

    Scott Gelston is commended for his coverage of the same events while Grant Wells beautifully captured the winning side of a crucial Federal by-election in Braddon.

     

     

    Comment & Analysis

    supported by MEAA

    • Simon Bevilacqua, The Mercury, “Simon Bevilacqua comment and analysis”

    Judges’ comments: A clear winner. Gets to the heart of an issue through incisive writing, a clear understanding of the topic and an obvious willingness to express his views without fear or favour. It’s an opportunity many in the media would love to be given but so few can actually do well.

     

     

    Arts Reporting

    supported by Serafino Wines

    • Tim Martain, TasWeekend Magazine, The Mercury, “Indie film and explaining the unexplainable”

    Judges’ comments: The winning entry stood out for the way the stories illuminate big and thought-provoking ideas through individual artistic projects. Tim’s research is thorough and he writes with authority, combining important subject matter with whimsy and humour. The judges also enjoyed seeing hard news stories and examples of outstanding production values among the entries.

     

     

    Science, Technology & Environment

    supported by Telstra

    • Henry Zwartz, ABC, “Tasmania’s salmon farms shooting thousands of ‘beanbag’ rounds at seals”, “Seal response at Tasmanian aquaculture sites ‘out of proportion’” and “Scientists urge action to protect habitat of Tasmania’s endangered ancient skate”

    Judges’ comments: This was a very strong category with a range of interesting stories. Henry Zwartz from the ABC wins for his excellent interviewing and research, but also how he covered all sides of the story about salmon farms and seals on the North-West Coast.

    Adam Morton’s body of work was very well-written and researched and Emily Baker wrote three excellent pieces on the hot topic of Lake Malbena and tourism development.

     

     

    Sports Coverage

    supported by MEAA

    • Tim Martain, TasWeekend Magazine and The Mercury, “Humans behind the game”

    Judges’ comments: Tim Martain’s feature stories on three athletes were original in approach and refreshing in style. His stories revealing unique aspects of a sporting life with great promise, one from the present and a legend of yesteryear. Compelling reading from someone writing outside their comfort zone, well done Tim.

     

     

    Health Reporting

    supported by Font PR

    • Rhiana Whitson, ABC News, “Pressure Point health series”

    Judges’ comments: Rhiana Whitson presented a compelling digital first multiplatform series covering radio, TV and online and social media. Her stories were well researched and her presentation skills engaged the viewer providing a clear understanding of the issues, seriously challenging the government’s management of our health services. Her win is well deserved

     

     

    Public Service Journalism

    supported by TassCOSS

    • Alexandra Humphries, The Mercury, “Families forced to live in tents at Hobart Showgrounds”, “Property managers say up to 50 people turning up to open homes amid Tasmania’s housing crisis” and “Properties being used for accommodation soars, hitting rental crisis harder’

    Judges’ comments: Alexandra Humphries’s stories investigating Hobart’s growing housing crisis demonstrated a strong feel for news, a keen sense of public service and an ability to produce informative and empathetic copy. Breaking the story of working families living at Hobart Showgrounds, Alexandra’s work contributed to housing being at the top of the agenda for last year’s state elections.

     

     

    Excellence in Legal Reporting

    supported by Butler MacIntyre Butler

    • Loretta Lohberger, The Mercury, “Court reports”

    Judges’ comments: Loretta Lohberger’s court reporting in the Mercury shows great compassion and empathy for the people in her stories, while at the same time scrupulously presenting the facts. The stories she entered were interesting, informative, profoundly moving, and of an exemplary professional standard. She is a deserving winner.

     

    Feature, Documentary or Current Affairs

    supported by MyStateBank

    • Henry Zwartz, ABC, “Inside Tasmania’s Drug Trade”

    Judges’ comments: A great example of basic journalism – the reporter saw something, asked some questions, talked to those involved and told the story in a simple and effective way. What more could you ask for? Henry’s entry ticked all the boxes – a well-researched, impactful and important story that shines a light on an insidious and growing problem not just in Burnie but across the state. Of particular mention is his decision to seek out those directly involved in distributing the drugs in a small town for their view. Now that took courage.

    Lachlan Bennett’s entry is a great piece of journalism that deserves commendation. This was a beautifully written and produced story. It was emotive without being saccharine and put a human face on what was for a long time a divisive political issue. A lovely, positive yarn that was a joy to read in such troubled and hateful times.

     

    Best News Story

    supported by Media Super

    • Kasey Wilkins, The Examiner, “Launceston’s Rod Patterson survives Bourke Street attack”

    Judges’ comments: Wide range of extremely well-written and researched stories in this premier category. Kasey Wilkins from the Examiner wins with her series of print, online and video stories about the Bourke St Mall tragedy survivor, Launceston businessman Rod Patterson. Her series portrayed the modern print journalist suite, stories that demanded you read them for the human interest and pathos, as well as the way the videos were cut for overall reader/listener engagement and newsworthiness. Henry Zwartz’s story about the mental health whistleblower and Matt Denholm’s pre-election gun laws watering down story were also important.

     

     

    Best New Journalist

    supported by The Mercury

    • Sarah Lansdown, The Advocate, “Paramedic shortages in the North West”

    Judges’ comments: Sarah explored the crisis in the ambulance service in northwest Tasmania, revealing a lack of paramedics and ambulances available in the region. In a series of three articles, Sarah showed initiative in developing an important local story, displayed a dogged approach to her subject and clearly understood the ramifications of the crisis to The Advocate’s readership. The judges concluded this was an excellent example of local reporting that illustrates why local and regional newspapers still have an important part to play in the life of communities and regions.

     

    Journalist Of The Year

    supported by Tourism Industry Council Tasmania

    • Emily Baker, The Mercury

    Judges’ comments: Emily Baker’s body of work included breaking news and a series of courageous journalism around the highly-political issues of foreign investment and tourism in world heritage areas.

    Highly Commended: Ali Humphries’ work included what was one of the biggest issues of 2018, the ongoing housing crisis, with her breaking stories leading to Government action.

     

     

     

    Keith Welsh Award For Outstanding Contribution To Journalism

    supported by MEAA

    • Peter Gee, ABC

    Judges’ comments: In a very strong field, Peter Gee was awarded the 2019 Keith Welsh Award for his outstanding contribution to journalism. Peter first joined the union in 1979 and started working at the ABC in sport in 1980. For 18 years, Peter worked as a commentator, interviewer and presenter on national sports programs across radio and television, including two Olympic games, two Commonwealth Games, the Athletics World Championships, World Cup Soccer and golf, swimming and basketball.

    In 1998 Peter Gee moved to Tasmania to take up the role of the weeknight news presenter. Peter’s influence on the ABC, and the media in Tasmania in general, extended far beyond his nightly broadcasts. The consummate professional on air, he was also a calm, reassuring presence behind the scenes, who was instrumental in helping guide and develop the careers of countless young reporters and producers. Even in retirement he continues to be a mentor and friend to many in the ABC newsroom.

  • Journalist of the Year Richard Baines (right) with MEAA Victoria & Tasmania Regional Director, Adam Portelli.

    The winners of the 39th Tasmanian Media Awards were announced at a gala cocktail presentation event on Friday, April 27, 2018 at Mawson Place, in the Waterside Pavilion, on the Hobart waterfront.

    Tasmanian MEAA president Mark Thomas said the judges of this year’s awards were extremely pleased with the quality of the 117 entries overall in the 12 award categories (see the list of winners below).

    “Richard Baines was named Tasmanian Journalist of the Year for a second year running, which is tribute to his ability to break stories … and as one judge said, he was the ‘must-watch’ journalist of TV news on a nightly basis,” Thomas said.

    “Simon Bevilacqua, the former Mercury journalist and editor, was presented with the Keith Welsh award for his extraordinary contribution to the profession for more than 20 years,” Thomas said.

    He noted: “As newsrooms are put under resources pressure Australiawide, it is heartening to see the quality of journalism in print, television, radio and online statewide in Tasmania. We saw winners from across the spectrum and around the state.

    “Journalists are breaking stories, holding governments – state and local – to account and bringing the Tasmanian public critical and policy-changing facts every day,” Thomas said.

    Best News Image Sponsor: Media Super

    Finalists:

    • Dylan Jelly, WIN News: HOB Sandy Bay House Fire 170605
    • Chris Kidd, The Mercury: Bandidos
    • Cordell Richardson, Fairfax Media: On the scene

    Winner

    • Cordell Richardson, Fairfax Media: On the scene

    Judges’ comments: Cordell Richardson arrived before emergency services at Devonport Airport to document the mangled remains of an aircraft that crashed killing the pilot. His timely and graphic image “On the Scene” brought home the horror of the situation in a way only a still image can. The viewer is transfixed by the situation that we are obliged to ponder. A true news image and a worthy front page.  

    Arts Reporting Sponsor: Serafino Wines

    Finalists:

    • Sally Glaetzer, The Mercury: TasWeekend arts features
    • Tim Martain, The Mercury: Film, Emos and War
    • Melanie Tait, Island Magazine: Is Tasmania the state of the arts?

    Winner:

    • Tim Martain, The Mercury: Film, Emos and War

    Judges’ comments: Congratulations to all who entered. There were some beautiful and important stories in the mix. What impressed us most with the winner was the freshness and vitality of story ideas, supported by the quality of the writing. The winning stories were thoroughly researched and focused on less-known people who are working to make a significant creative contribution in Tasmania. The stories did more than scratch the surface. They were thought-provoking, included context and, in a thoroughly accessible way, highlighted the important role the arts play in a community. We would also like to commend the two runners up on the level of research, insight and depth in their work.

    Science, Technology & Environment Sponsor: Cancer Council Tasmania

    Finalists:

    • Fiona Breen, ABC: Exploring the Antarctic
    • Felicity Ogilvie, ABC: Salmon standards
    • Natalie Whiting, ABC: Body of work

    Winner:

    • Natalie Whiting, ABC: Body of work

    Judges’ comments: Natalie Whiting’s three entries showed the great breadth and intelligence of her journalism on three very different topics Her story about Macquarie Harbour was the first to report damage to the World Heritage Area. Her feature on “wombat” mange was extremely well-presented with interviews and day and night vision of the animals. Her Cape Barren story was also extremely well presented with interviews with indigenous community members and Tasmania Fire Service, using ancient methods to protect a critical Tasmanian environment.

    Sports Coverage Sponsor: MEAA

    Finalists:

    • James Bresnehan, The Mercury: Body of work
    • Chris Rowbottom, ABC: Body of work
    • Brett Stubbs, The Mercury: Body of work

    Winner:

    • Chris Rowbottom, ABC: Body of work

    Judges’ comments: The judges felt the quality of the work submitted for consideration was of a particularly high standard this year. The diversity of disciplines entered was also acknowledged with traditional Television, on-line and Print entries competing with a pictorial entry,  as well as a compilation of radio work. Original and investigative pieces stood out deciding our three finalists for the category Chris Rowbottom is the winner with the judging panel acknowledging the originality of the work submitted. The insight into the life of a successful female speedway driver balancing competitive sport and raising an infant in a male dominated sport was refreshing and informative. This piece on Laura Davidson coupled with comprehensive coverage of the disputed Sydney to Hobart yacht race and Chris’ work on racing industry trainer Scott Brunton was all well-crafted and written.

    Health Reporting Sponsor: Health & Community Services Union

    Finalists:

    • Sally Glaetzer, The Mercury’s TasWeekend magazine: Body of work
    • Tim Martain, The Mercury: Speaking up
    • Margaretta Pos, Freelance: Voluntary Euthanasia. A Right to Die?

    Winner:

    • Sally Glaetzer, The Mercury’s TasWeekend magazine: Body of work

    Judges’ comments: The Health reporting entries submitted were all of a very high standard, demonstrating excellent use of the medium whether on-line, radio, television or print. They reflected the important role health plays in our everyday life and how it is one of the most crucial public and political issues in Tasmania. The judges were challenged as the style of stories ranged from day to day reporting of local health problems, how health policies can impact on individuals to feature articles and even a very personal and compelling family history story. The winner, for her series of magazine features is Sally Glaetzer. The articles were well crafted, the writing clear, crisp and engaging and the stories themselves were a delight to read, building a real connection with the subject and the people whose story was being told.

    Public Service Journalism Sponsor: TasCOSS

    Finalists:

    • Matthew Denholm, The Australian: Members’ Money
    • Alexandra Humphries, The Mercury: TasTAFE nepotism scandal
    • Linda Hunt, ABC: Unhealthy RHH

    Winner:

    • Linda Hunt, ABC: Unhealthy RHH

    Judges’ comments: ABC reporter Linda Hunt was judged the winner of this category, from a highly competitive field. Her outstanding coverage of community demands and fiscal pressure on our hospitals, demonstrated a mature grasp of the issues facing the government and community interests. Linda’s treatment was unquestionably objective and thorough. She gave voice to both sides of the debate, incorporating the right of the Minister Michael Ferguson and professional stakeholders to have their say. As well, she allocated valuable space in the tight time restrictions of a TV news bulletin, to ensure that viewers understood the reason for the news items and the complexities of the issues. The judges also wish to highly commend the entries of The Mercury’s AlexandraxHumphries and The Australian’s Matt Denholm. Together with Linda Hunt’s entry their work was of the highest quality. Tasmanian news media is well served by the impressive calibre of these three.

    Excellence in Legal Reporting Sponsor: Butler, McIntyre & ButlerLawyers

    Finalists:

    • Matthew Denholm, The Australian: Payouts and probes
    • Melissa Mobbs, Fairfax Media: Body of work

    Winner:

    • Matthew Denholm, The Australian: Payouts and probes

    Judges’ comments: Melissa Mobbs extended her role as a court reporter to flesh out legal stories for the human interest factor and produced engaging journalism. Matthew Denholm’s exclusive stories on payouts received by union officials exposed practices within two major trade unions that otherwise would not have come to the attention of union members, the public and the relevant legal authorities. The winner is Matthew Denholm. Matt Denholm is to be congratulated on bringing to the public important legal issues within the union movement which would have not been exposed if not for his work.

    Feature, Documentary or Current Affairs Sponsor: Unions Tasmania

    Finalists:

    • Imogen Elliott and Lachlan Bennet, Fairfax Media: Wild Asset: The Tarking Podcast
    • Sally Glaetzer, The Mercury/TasWeekend: TasWeekend Lara Giddings feature
    • Felicity Ogilvie, ABC: Wheels of progress in Derby

    Winner:

    • Imogen Elliott and Lachlan Bennet, Fairfax Media: Wild Asset: The Tarking Podcast

    Judges’ comments: The judges for Feature, Documentary or Current Affairs were impressed by the high standard of entries which, as a body of work, showed a consistently strong standard of long-form journalism in Tasmania. The hard work by individuals and teams in both print and other platforms was evident, as was the effort to find new stories as well as new ways of looking at long running issues. The short list was rather long. However, the Feature, Documentary or Current Affairs was awarded to the Advocate’s Imogen Elliot and Lachlan Bennett for their digital feature Wild Assets. Imogen Elliot and Lachlan Bennett used interviews with protesters in a logging coupe in the Tarkine to launch an exploration of the Tasmania forestry politics and regional communities that depend on wild places. The three-part online series included long-form podcasts and print features accompanied by video and photos. Imogen and Lachlan approached the controversial subject of forestry in the Tarkine with fresh eyes and tailored their work to ‘tell it best’ for their audience in the North West using contemporary forms of story-telling that was given a national audience via the Australian Media network. In giving this award, the judges also commended the Advocate for investing the time and confidence in two young reporters which resulted in an impressive – and now, award-winning – multi-platform package.

    Best News Story Sponsor: Media Super

    Finalists:

    • Richard Baines , ABC: The all too short life of Ariah McGillvery-Bourke
    • Alexandra Humphries, The Mercury: TasTAFE nepotism scandal
    • Simeon Thomas-Wilson, The Mercury/Sunday Tasmanian: Glenorchy City Council Board of Inquiry

    Winner:

    • Simeon Thomas-Wilson, The Mercury/Sunday Tasmanian: Glenorchy City Council Board of Inquiry

    Judges’ comments: In an extremely strong field, Simeon Thomas-Wilson’s series on the Glenorchy City Council scandal was judged the Best News Story. His series were comprehensive and well-balanced, with the views and opinions of both sides of the Council “argument” presented without bias, as well as how the members of the community viewed the entire situation. His work was extremely well-researched and presented so that all of the outcomes could be easily understood by the broader public. The judges Highly Commended Richard Baines work on the tragic death of baby Ariah.

    Best New Journalist Sponsor: The Mercury

    Finalists:

    • Benjamin Hansen, WIN Television: Body of work
    • Rob Inglis, Fairfax Media: Body of work
    • Rhiannon Shine, ABC: Body of work

    Winner:

    • Rob Inglis, Fairfax Media: Body of work

    Judges’ comments: The 2018 Best New Journalist category continues to prove that capable, thorough and dedicated young journalists are rising through the ranks. The judges considered 14 entrants and found the foundation of solid ability among young Tasmanian journalists. Particularly impressive was the work of newspaper reporters who went beyond covering the daily, breaking news and were given the opportunity by their editors to dig more deeply into social, cultural and political issues of importance to their communities and Tasmania. The judges also noted the new generation of reporters making increasing use of digital media to complement their work in print and on air – an important development for maintaining the relevance of the formal news media. Of the runners-up, Rhiannon Shine (ABC) showed increasing maturity in story-telling for the electronic media, as did Benjamin Hansen (WIN News) with both breaking news and political issues. For a journalist in his first year, Rob Inglis (Fairfax Media) displayed a sound grasp of breaking news, in-depth reporting and issues of social import and told his stories well.

    Keith Welsh Award for Outstanding Contribution to Journalism Sponsor: MEAA

    Winner:

    • Simon Bevilacqua, The Mercury

    Judges’ comments: As a journalist, Simon broke major stories, including: Stolen babies (1996 & 1997) about young Australian women in the 1940s to 1980s having their babies taken from them, often being told the babies had died. The rest of the country followed. It triggered a Senate inquiry, soul-searching by churches and charity groups, and reconciliations. Lawyers’ fund fiasco (2001 & 2002): Surveyors were overvaluing properties as part of the solicitors’ mortgage fund scheme run by some of the most respected firms. Mum and dad investors lost life savings, some died before getting any justice, lawyers were struck off and went to jail, there was a Senate inquiry, and financial advisers were forced to pay back millions to clients. Forestry: Simon reported fearlessly on the industry for 20 years in what had been a no-go area for journalists. As the Opinion/Letters editor, Walkley award winning political journalist Wayne Crawford said Simon vitalised the Editorial and Talking Point pages with an insight and eloquence which made them arguably the most read sections of the Mercury. Under Simon’s editorship – and in his intuitive, empathic and perceptive writings – Talking Point provided the most wide-ranging and balanced commentaries of perhaps any Australian newspaper, regional or metropolitan. Simon still writes a weekly column which his editor says generates the most letters to the paper than any other column or writer.

    Journalist of the Year Sponsor: MEAA

    Finalists:

    • Richard Baines, ABC
    • Linda Hunt, ABC
    • Simeon Thomas-Wilson, The Mercury
    • Rhiana Whitson, ABC

    Winner:

    • Richard Baines, ABC

    Judges’ comments: The judges were extremely pleased with the vast range of stories and level of entry in 2018. The winner is Richard Baines (ABC); His stories were not just high quality, they affected change in Tasmania. He was the “must-watch” journalist of TV news on a nightly basis. His stories had impact beyond the political sphere and gave the audience broader community impact across the full range of media platforms – television, digital and radio. Richard provided hard exclusive stories, utilising contacts that no-one else seems to have, as well stories with a softer, human touch. He is deservedly the Journalist of the Year.

  • ABC veteran broadcaster Chris Wisbey has been named the 2017 Keith Welsh Award winner for outstanding contribution to Tasmanian journalism at the Tasmanian Media Awards in Hobart on Friday night.

    Wisbey has been on-air for the best part of three decades and was the unanimous choice of judges to the first Keith Welsh award winner since 2010. “Chris Wisbey wins the 2017 Keith Welsh Award for his telling of Tasmanian stories. How he has dealt with sensitive issues with an engaging story-telling style… He has built an archive of people and places in Tasmania, telling uniquely Tasmanian stories about Tasmanians,” the judges said.

    • Richard Baines from the ABC won the Journalist of the Year and Best News Stories awards.

    • Sally Glaetzer from The Mercury/Tas Weekend Magazine won the Best Feature, Documentary or Current Affairs and Comment and Analysis categories and was a finalist in the Science, Environment and Health and Journalist of the Year awards.

    • WIN Television’s Brent Costelloe won his third straight award for Best Sports Coverage. MEAA Tasmania President Mark Thomas said a record 130 entries were received for the 2017 awards, surpassing last year’s mark of 122. “Judges commented in all 12 categories about the quality and breadth of entries – from child protection, domestic violence, the Port Arthur anniversary and the devastating floods of 2016,” he said. “Without a fair, independent and fearless media – print, TV, radio, online & social – we do not have a democracy. Fortunately, as tonight’s awards have amply demonstrated, Tasmania’s media and its journalists deliver some of the finest journalism in the country,” Thomas said.

     

    Tasmanian Media Awards 2017

    • Best News Image – Winner: Matthew Growcott, Win News Tasmania: Moonah Siege

    • Arts Reporting – Winner: Rick Eaves, ABC News Online: Body of Work

    • Science, Environment and Health – Winner: Felicity Ogilvie, ABC Radio AM: Body of Work

    • Best Sports Coverage – Winner: Brent Costelloe, WIN Television: Body of Work

    • Mental Health Reporting – Winner: Tamara McDonald, The Examiner: Body of Work

    • Comment and Analysis – Winner: Sally Glaetzer, The Mercury/Tas Weekend: Body of Work

    • Excellence in Legal Reporting – Winner: Michael Aitkin – ABC TV & News Online: Child Abuse Commission-Body of Work

    • Best Feature, Documentary or Current Affairs – Winner: Sally Glaetzer, TAS Weekend: Port Arthur Massacre Anniversary Coverage

    • Best News Story – Winner: Richard Baines, ABC: Letting the Most vulnerable down- Tasmania’s child protection woes

    • Best New Journalist – Winner: Michelle Wisbey, The Examiner : Body of Work

    • Keith Welsh Award for Outstanding Contribution to Journalism – Winner: Chris Wisbey, ABC

    • Journalist of the Year – Winner: Richard Baines, ABC

     

    Tasmanian Media Awards – winners, finalists, sponsors and judges’ comments

    1. Best News Image Sponsor: Media Super Finalists • Dan Broun: Tasmanian bushfires • Matthew Growcott, Win News Tasmania: Moonah Siege • Grant Wells, The Advocate: Calder Fires Winner • Matthew Growcott, Win News Tasmania: Moonah Siege Judges’ comments: Matt Growcott’s victorious Moonah siege piece showed patience and skill … and had all the winning news elements … the unfolding scene, the shots fired, the standoff and the eventual arrest of the perpetrator. A riveting news segment. He was, however, pushed all the way to the finish line by Dan Broun’s evocative still images of the aftermath of Tasmania’s World Heritage bush fires. Congratulations to both.

    2. Arts Reporting Sponsor: Serafino Wines Finalists: • Rick Eaves, ABC News Online: Body of Work • Elise Fantin, ABC News Tasmania: Young Arts • Sally Glaetzer, The Mercury‘s Tas Weekend: Body of Work Winner: • Rick Eaves, ABC News Online: Body of Work Judges’ comments: Competition for the arts reporting award was strong, but the judges were united in their decision to award the prize to Rick Eaves for his body of work. The judging panel were particularly impressed with his piece about singer Claire Anne Taylor which transported the reader or listener to the edge of the Tarkine to hear about how this emerging artist grew up and the influences on her life. Rick’s other two pieces also displayed a variety and talked about arts not necessarily profiled in the mainstream media, and used multimedia well across the board to tell the stories. The work by Sally Glaetzer is also worthy of a mention, presenting three pieces on different Tasmanians and getting deeper into their influence on the arts and their community. Elise Fantin’s piece titled Young Arts was also very positive and interesting.

    3. Science, Environment and Health Sponsor: Health and Community Services Union Finalists: • Michael Atkin, ABC TV & News Online: The human toll behind a deadly oyster disease • Sally Glaetzer, Tasmanian Weekend: Body of Work • Felicity Ogilvie, ABC Radio AM: Body of Work Winner: • Felicity Ogilvie, ABC Radio AM: Body of Work Judges’ comments: A huge volume of entries in this category (21) and of a very high standard, creating a real dilemma for judges. In the end, the body of work presented by Felicity Ogilvie, covering all 3 subjects in this category, was the unanimous winner….judges commenting on the quality of research and investigation, the fact all were significant news-breaking stories at a national level but with local ramifications – the Antarctic Division’s decision to close its Macquarie Island base – with the Minister reversing the decision within 24 hours of the story airing……as a fine example of her work. Her story in getting a doctor at the LGH to speak publicly about the mass exodus of specialist staff and its impact also was singled out for praise. Michael Atkin’s entry showed a rare piece of true reality television capturing the moment when an oyster farmer realised his entire farm was destroyed by POMS virus. This story had a considerable impact at showing the human cost of POMs on Tasmanian oyster growers and its ongoing impact on the environment including the risk to other states including South Australia. Sally Glaetzer’s body of work was praised, in particular, her piece on the renewed campaign to drain the Pedder impoundment and replace the original Lake Pedder. She investigated why previous campaigns to save the lake had failed and looked into the science behind the latest proposal to restore it….judges saying despite her independent, dispassionate approach, it made you want to see the Lake restored. It was ‘fresh, compelling, wide range of talent and beautifully written.” Special mention was made for Matthew Denholm’s work on Seals and Salmon……and also Fiona Breen. But in the end, settled on the three journalists above as the finalists.

    4. Best Sports Coverage Sponsor: Lion Finalists: • Brent Costelloe, WIN Television: Body of Work • Scott Rollinson, ABC News Breakfast: Body of Work • Brett Stubbs, The Mercury: Body of Work Winner: • Brent Costelloe, WIN Television: Body of Work Judges’ comments: The judges were impressed with the overall standard in this category with sport at a local, state and national level encompassed in the entries. The work of ABC Sport’s Scott Rollinson embodied all those facets with his story on Tasmanian motor racer John Bowe putting a spotlight on the mental health issues he’d silently suffered while rising to the top of the sport in Australia. The Mercury’s Brett Stubbs displayed a commitment to pursuing the perennially contentious topics of a preferred model for a Tasmanian AFL team and the general health of football in this state. He shone a light on the contents of the Garlick Report, which up until that time football authorities had prevented the media from accessing. The Tasmanian football public had been long anticipating the sacking of AFL Tasmania head Scott Wade and when it happened WIN Television’s Brent Costelloe was the first to report it. He utilised his industry connections and intimate knowledge of Tasmanian football to break the story and dispassionately dissect Wade’s polarising time in charge. This along with his profiles of young basketball coach Reece Potter and boxer Luke Jackson combined to give him the edge over a talented field.

    5. Mental Health Reporting Sponsor: Mental Health, Alcohol and Drug Directorate Finalists: • Duncan Abey, Tas Weekend Magazine: Emma Haswell’s battle • Doug Dingwall, The Sunday Examiner: Facing up to mental illness: The royal Commission, veterans compensation and equine therapy. • Tamara Mcdonald, The Examiner: Body of Work Winner: • Tamara Mcdonald, The Examiner: Body of Work Judges’ comments: Tamara McDonald’s package of three diverse stories reflects her commitment to reporting mental health. She took a strategic approach in seeking out stories that reflected positive community responses to mental health issues – a proactive approach which reflects her commitment to reporting mental health issues. Her story on Alison Cocker and her use of photography to help with her mental health issues is a nice piece; her story on women starting a help group for those with partners with PTSD is likewise a good story reflecting back to the community the ways in which citizens are coping with mental health; and her story on former foreign correspondent Dean Yates’ recovery from PTSD is sound.

    6. Comment and Analysis Sponsor: Unions Tasmania Finalists: • Matthew Denholm, The Australian: Analysing the issue • Sally Glaetzer, The Mercury‘s Tas Weekend: Body of Work • Matt Smith, The Mercury: Body of Work Winner: • Sally Glaetzer, The Mercury‘s Tas Weekend: Body of Work Judges’ comments: Sally Glaetzer’s three entries – Fight Club, about ongoing Local Government issues, Growing Pains on Forestry and Up and at ’em, (GetUp!’s involvement in the Federal Election demonstrated an enormous ability to write at multiple levels – for the everyday person in the street and those with greater knowledge. All her pieces showed story-telling of the highest level, with great pictures to illustrate them. The Getup! Explained an organisation and its methods not normally understood and her forestry story covered a great range of stakeholders involved and affected.

    7. Excellence in Legal Reporting Sponsor: Butler, McIntyre & Butler Finalists: • Michael Aitkin – ABC TV & News Online: Child Abuse Commission-Body of Work • Edith Bevin, ABC News – Tasmania: Body of Work • Matthew Denholm, The Australian: Rough (youth) Justice • David Killick, The Mercury: Legal Reporting Winner: • Michael Aitkin – ABC TV & News Online: Child Abuse Commission-Body of Work Judges’ comments: The quality of the entries this year is very impressive and all entrants are to be congratulated on their work in bringing news about legal issues to Tasmanians in the past year. Four entries were particularly outstanding: Michael Atkin, Edith Bevan, David Killick and Matthew Denholm. Michael Atkin’s entry – four national news stories, and two national 7.30 reports from the hearings of the Royal Commission into Child Abuse hearings in Tasmania are exceptional. Not only did Mr Atkin report daily on the hearing, but he spent time prior to the hearing to comprehensively research church child sex abuse in Tasmania including Phillip Aspinall’s role, and also the role of Peter Hollingsworth. He also made contact with victims, Don Owers and Steve Fisher and others and persuaded victims of child sex abuse to be interviewed on camera. Mr Atkin produced stories on this difficult topic stripped of sensationalism, he provided the facts in a measured but comprehensive way, and provided new and, through his interviews with victims, deeply personal insights into the impact of child sex abuse within the church. The interview with Steve Fisher is particularly memorable. In this story on paedophile priest Garth Hawkins Mr Atkin allows the victim, Steve Fisher, the agency to tell his story in a nuanced, comprehensive and insightful manner, which provided the public with a greater understanding of the impact of child sex abuse on the life of an individual. It is a story that stays with the viewer. He produced this fine body of work with tight daily deadlines and negotiating the legal complexities of defamation. Congratulations Michael Atkin on an outstanding body of work.

    8. Best Feature, Documentary or Current Affairs Sponsor: Telstra Finalists: • Michael Atkin, ABC TV 7:30 Program: The Failure of Fitlink • Fiona Breen, ABC TV Landline: Robbins Island Farming • Sally Glaetzer, TAS Weekend: Port Arthur Massacre Anniversary Coverage Winner: • Sally Glaetzer, TAS Weekend: Port Arthur Massacre Anniversary Coverage Judges’ comments: Sally Glaezter demonstrated both a courage and refreshing viewpoint on this Tasmanian and Australian tragedy. Her writing was both nuanced and complex, interviewing a broad range of sources for her feature to deliver a completely different take on Port Arthur after 20 years of the massacre. Her research and reporting on the impact on the people she interviewed delivered many previously unwritten stories. Good feature writing, like all good journalism, helps the community, the reader or watcher, with good conversation about important matters. Sally Glaetzer achieves that here.

    9. Best News Story Sponsor: Media Super Finalists: • Richard Baines, ABC: Letting the Most vulnerable down- Tasmania’s child protection woes • Zona Black, The Examiner: Rollin Coverage of Tasmania’s Floods • Alexander Blucher, ABC: Lives and farming dreams washed away in Tasmanian floods • Benjamin Hansen, Win Television: Body of Work Winner: • Richard Baines, ABC: Letting the Most vulnerable down- Tasmania’s child protection woes Judges’ comments: The judges were impressed with the depth of the body of work and made special mention of Zona Black’s rolling coverage for The Examiner and its service to the community. Richard Baines was judged the winner because of the depth of his research, following the initial Four Corners coverage, to identify a whistle-blower, and take the next step. His stories demonstrated both consideration and care for the people involved, especially the children affected. His coverage broadened the issues for the entire Tasmanian community and delivered an outcome in that the Government changed its policy with regard to the contracted organisation.

    10. Best New Journalist Sponsor: The Mercury Finalists: • Lucy Stone, The Examiner : Body of Work • Michelle Wisby, The Examiner : Body of Work • Pablo Vinales, ABC: Body of Work Winner: • Michelle Wisby, The Examiner : Body of Work Judges’ comments: The judges noted that much effort this year went into the difficult and often unrewarding issues of urban affairs and local Government. Most of the young journalists proved capable of covering a wide range of issues and showed encouraging ability. The Examiner’s Lucy Stone was among those who impressed with reporting a broad spectrum of issues, imbuing them with a human element that made them both informative and easy to read. Pablo Vinales stood out for breaking news stories, for his sensitive treatment of a woman providing shelter for sex offenders in the face of community opposition and for a profile of Eric Abetz, allowing the Tasmanian senator ‘s views and character to emerge without editorialising. Michelle Wisbey showed maturity beyond her three years’ experience in a marathon 6-thousand word series in The Examiner on domestic violence. While much of the issue has already been explored elsewhere, Michelle gave the subject new insights, real intimacy and added impact by producing a six-week series featuring victims, perpetrators and carers. Michelle further impressed with insightful interviews and timely reporting on female athletes’ struggle for sporting equality in Tasmania.

    11. Keith Welsh Award for Outstanding Contribution to Journalism Sponsor: MEAA Winner: • Chris Wisbey Judges’ comments: Chris Wisbey from the ABC wins the 2017 Keith Welsh Award for his telling of Tasmanian stories. How he has dealt with sensitive issues with an engaging story-telling style for some three decades. He has built an archive of people and places in Tasmania, telling uniquely Tasmanian stories about Tasmanians. Chris Wisbey has developed and built an oral history of the State, along the way giving people a voice and encouraging them to become story-tellers.

    12. Journalist of the Year Sponsor: MEAA Winner: • Richard Baines Judges’ comments: Excellent level and breadth of entries in this category; however, judges also made comment about overall lack of digital treatment of stories and use of social media to tell stories. This is important as our audiences have moved away from traditional platforms and technology has given journalists more flexibility in their story telling. Richard Baines from the ABC was judged the winner for his coherence and narrative as a journalist, successfully unifying his story series under a serious journalistic agenda. He demonstrated excellent use of the television medium with his story construction, content and use of graphics in a news format. The impact of his stories also showed his willingness to hit hard.

  • ABC journalist Michael Atkin was named Journalist of the Year at the Tasmanian Media Awards 2016. Atkin won three awards at the gala evening, including the Science, Environment and Health and Best Feature, Documentary or Current Affairs category. MEAA Tasmania president Mark Thomas said there had been a record 122 entries across the Tasmanian Media Awards 13 categories. “In all categories, judges commended our entrants for the quality of their stories,” Thomas said. “Michael Atkin certainly set the standard for his superb reporting on 7.30 (ABC) across a range of categories. The Mercury’s Matt Smith was also a standout, winning the Best News Story and Comment and Analysis categories. We had 15 entries for best feature, 15 for best new journalist, 14 for science and 14 for journalist of the year … all records in 2016.”


      Tasmanian Media Awards Winners and Finalists with Judges’ comments

      Best News Image (stills) Sponsor: Media Super Finalists • Nikki Davis-Jones , The Mercury: Taking A Stand • Richard Jupe, The Mercury : Comanche wins the Sydney to Hobart Yacht Race • Sam Rosewarne, The Mercury: Anti-racism • Grant Wells, The Advocate: White Knight Winner • Grant Wells, The Advocate: White Knight (Link to view submission) Judges comments: With his entry White Knight, Grant Wells has taken a terrific, old school newspaper picture evocative of the analogue era. The image really lent itself to black and white and full credit to Grant for using it thus. The picture tells the story: a natural politician taking an opportunity to hit the hustings. He looks so alive and bright and stands out like a beacon among a dull congregation of the faithful. The conservative dark clothing of the many other people in the picture, each one captured in their own moment, adds a further political layer to the image. Grant was at a routine regional event and had the vision to capture a remarkable moment that revealed much about the subject: Tony Abbott, the Prime Minister of Australia, and a man in his element.


      Best News Image (video) Sponsor: Media Super Finalists: • Steve Fisher, WIN Television: Prison Escape • Nick Glover, WIN Television: Lefroy Bushfire Winner: • Steve Fisher, WIN Television: Prison Escape (Link to view submission) Judges comments: Steve’s piece on the escape and recapture of an allegedly armed Risdon jail prisoner was a stand out in the News Video Image category. The vision captured the entire escape episode from the hunt to interception of the suspect swimming towards a boat, a dramatic arrest at gunpoint by police and the prisoners return to captivity. Steve’s persistence and tenacity paid off affording news viewers all the visual drama of the event.


      Arts Reporting Sponsor: Media Super Finalists: • Michael Atkin, ABC: Body of Work • Scott Gelston Freelance : Pete Mattila Images • Sally Glaetzer, The Mercury’s TasWeekend: TasWeekend features Winner: • Sally Glaetzer, The Mercury’s TasWeekend: TasWeekend features ( Links to view submissions:one, two and three ) ***Special Commendation: Scott Gelston Judges comments: This category represents our closest result in 2016. Judges were not divided, rather, they were locked in agreement that there were two exceptional entries here. Sally Glaetzer won for her satisfyingly in-depth features and personality pieces. Her feature on public art controversies in Tasmania was especially accomplished. The judges appreciated the legwork that gave historic context to a topical story. Sally sourced artists caught up in past controversies, found artists working on current commissions and sourced arts budgeting figures. Skilfully written profiles on architect Robert Morris-Nunn and designer, Brodie Neill, were also satisfying reads. The judges felt Scott Gelston’s photo-essay of blacksmith-artist Pete Matilla was also exceptional work; an opportunity recognised, then maximised through technical excellence. There was a sense of being embedded in the artists’ process and the images generated an excitement about making art. Words would not have told the story better and he is awarded a special, high commendation.


      Best Sports Coverage Sponsor: Cascade Brewery Finalists: • James Bresnehan, The Mercury / Sunday Tasmanian: Sports Coverage from Top to Bottom • Brent Costelloe, WIN Television: Body of Work • Chris Rowbottom, Southern Cross News Tasmania: Body of Work Winner: • Brent Costelloe, WIN Television: Body of Work (Links to view submissions: one, two and three) Judges comments: Very high quality of entries across all media platforms – television, print, radio and online. James Bresnehan’s work with the Man Up campaign got national recognition, Michael Aitkin’s Shipsterns 7.30 story was outstanding and Chris Rowbottom’s Luke Jackson piece was excellent. Brent Costelloe’s work stood out for its consistency, persistence and writing ability; his Glenorchy Brothers piece was both innovative and informative, his Glenorchy Inner Sanctum story was riveting.


      Science, Environment and Health Sponsor: Health and Community Services Union Finalists: • Michael Atkin, ABC: Body of Work • Fiona Breen, ABC: Landline Reports • Alexandra Humphries, The Examiner: Water woes Winner: • Michael Atkin, Australian Broadcasting Corporation: Body of Work (Links to view submissions: one, two and three) Judges comments: Michael Atkin broke some of the biggest environmental issues of the year, from the communities facing water contamination in the state’s north-east, to the mass fish kill in Macquarie Harbour, to the flouting of 4WD bans on the state’s remote tracks. Atkin’s work is direct and fearless. It forces people to take notice and affects change. He also is willing to go the extra mile when he gets the sniff of a story (he was the only reporter to attend the community meeting in Pioneer). His body of work is powerful, agenda setting journalism, which seamlessly combines news breaking stories with a powerful human focus.


      Mental Health Reporting Sponsor: Mental Health, Alcohol and Drug Directorate Finalists: • Alexandra Humphries, The Examiner: Minds Matter: Post traumatic stress disorder amongst those who serve • Sam Ikin, ABC News: Talking about suicide isn’t easy, but it’s necessary • Jane Ryan, ABC: Coming out – Living with bipolar Winner: • Jane Ryan, Australian Broadcasting Corporation: Coming out – Living with bipolar (Link to view submission) Judges comments: The growth and development of this category – Mental Health Reporting – and the quality of the reporting is not only significant, but also very encouraging. The judges found the diversity of the stories impressive. The entries of Jane Ryan and Sam Ikin show us all what courageous journalism looks like. They both stepped out out from behind the comfort of the journalist’s by-line and put themselves as the central focus of deeply personal journeys with mental illness. Alexander Humphries is to be commended on her well-researched series on the impact PTSD has on a range of professions, highlighting the need for better support. Jane Ryan’s compelling and finely produced RN Earshot program “Coming Out – Living with Bi Polar”, provided insight into her own experience and also the experience of others living with this illness. With more than 10,000 listeners, nationwide Jane has made a significant contribution to the national conversation on bi polar and mental illness. She is to be congratulated on her documentary “Coming Out” and is a worthy winner of the Mental Health Reporting Category.


      Comment and Analysis Sponsor: Unions Tasmania Finalists: • Matthew Denholm, The Australian: Analysing Tas • Sally Glaetzer, The Mercury’s TasWeekend: Body of Work • Matt Smith, The Mercury: Body of Work Winner: • Matt Smith, The Mercury: Body of Work (Links to view submissions: one, two and three) Judges comments: The judges were impressed by the consistently high standard of writing and engagement by Matt Smith over several examples. Matt writes clearly, concisely and builds around the facts in a way that the reader is kept engaged in often-complex articles. He shows a strong writing style, accuracy and solid analysis based on extensive factual research or observation. The judges felt his writing was particularly strong in the article “Glass jaw syndrome is alive and well” and also considered that in this small community it was also a brave piece to put out there.


      Excellence in Legal Reporting Sponsor: Butler, McIntyre & Butler Finalists: • Edith Bevin, ABC News – Tasmania: Body of Work • Pat Billings, The Mercury, Compensation and Jodi Eaton • Sophie Kuryl, WIN Television Tasmania:Body of Work Winner: • Pat Billings, The Mercury, Compensation and Jodi Eaton (Links to view submissions: one, two and three) Judges comments: The high profile investigations into the disappearance of Lucille Butterworth, understandably featured in the Legal Reporting Category. Edith Bevin’s report on Lucille Butterfield presented impressive production values, which enhanced the quality of her report, expanding well beyond just the evidence presented. Her profile of Chief Magistrate Michael Hill on his retirement further demonstrated Edith’s story telling skills. Sophie Kuryl likewise presented a comprehensive report on Lucille Butterworth, making the most of information gathered during the month long inquest, producing a well-crafted feature story. Away from the spotlight of the Lucille Butterworth mystery was the work of Pat Billings, his three stories demonstrating the very essence of legal reporting. His stand out report on the Jodi Eaton murder raised questions about the justice system, police processes and domestic violence, leading to an inquiry into shortcomings within the judicial system. In tandem with his story on a Gay Hate Pay Out case, setting a legal precedent, Patrick shows a comprehensive commitment to court reporting to take out this year’s Legal Reporting Category Award.


      Best Feature, Documentary or Current Affairs Sponsor: Telstra Country Wide Finalists: • Duncan Abey, The Mercury: Alan and Kris Pearn • Michael Atkin, ABC: Easy Prey: Careers Australia and its dubious sales tactics • Fiona Breen, ABC: Macquarie Island Winner: • Michael Atkin, Australian Broadcasting Corporation: Easy Prey: Careers Australia and its dubious sales tactics (Links to view submissions: one and two ) Judges comments: Michael Atkin’s piece entitled Easy Prey was an expose of Careers Australia and the dubious tactics used to sign up and sell packages to vulnerable people. It was an excellent example of how Tasmanian stories can have national importance, and influence from a solid current affairs perspective. The story touched on a very important issue; it was backed with very strong sources, both from the whistle-blower and one of the victims. The combination of the visual and audio elements of the story worked very well. The visual elements helped to shine a light on the areas which were obviously being targeted by Careers Australia’s less scrupulous operators. The work by Michael also resulted in the organisation’s CEO resigning from a Federal government advisory board. It demonstrated strong newsworthiness, public benefit and creative flair. Duncan Abey’s feature with Alan and Kris Pearn, parents of Natalia, was a very worthy Honourable Mention amongst a number of other strong contenders.


      Best News Story Sponsor: CPSU Finalists: • Bob Burton, Tasmanian Times: Deals and donors • Blair Richards, The Mercury: Defamation defeat • Matt Smith. The Mercury: Your right to know Winner: • Matt Smith. The Mercury: Your right to know (Links to view submissions: one, two and three) Judges comments: Matt entered a body of work he titled “Your Right to Know” which exposed the Hobart City Council’s lack of control over expense claims submitted by aldermen. Relying on good sources, leaked documents and numerous RTI requests, Matt unveiled a pattern of endemic spending behaviour that had cost ratepayers more than $350,000. The Council’s “self-certification” policy had resulted in claims including babysitting fees, overseas trips, expensive dinners and event tickets. Predictably, the community was outraged and prompted the Tasmanian Auditor General to deliver 40 recommendations. A complete overhaul of expense spending and accountability has now been implemented by the HCC.


      Best New Journalist Sponsor: The Mercury Finalists: • Elizabeth Anile, WIN Television : Body of Work • Richard Baines, ABC : Body of Work • Katelyn Barry, Southern Cross Austereo : Body of Work Winner: • Richard Baines, ABC : Body of Work (Links to view submissions: one, two and three) Judges comments: Every year, the quality of this category improves; perhaps the most difficult to judge because of the high calibre of both entries and levels of entrant, from first year to third year practitioners. Many of the younger journalists have hit the ground running by using both RTI/FOI and working their contacts to achieve results with stories. This was very close, from 15 entrants and perhaps seven at the highest level. Richard Baines won for the quality of his stories, his writing and presentation on television, print and radio.


      Journalist of the Year Sponsor: MEAA Finalists: • Michael Atkin, ABC : Body of Work • Patrick Billings, The Mercury: Body of Work • Matt Smith, The Mercury: Body of Work Winner: • Michael Atkin ABC: Body of Work Judges comments: Michael Atkin’s body of work was of a consistently high standard across a diverse range of issues of vital interest to Tasmanians and with implications for a national audience. His investigation into predatory practices in vocational education worked to give significant momentum for national reform of the sector. This beautifully crafted story used the stark surroundings of an underprivileged outer Hobart suburb as the backdrop for the dashed hopes of an aspirational young mother. Michael’s ability to work with his camera operator and sound recordist for maximum impact was also demonstrated in his story on water contamination in two small towns in rural Tasmania. The vision of a conga line of elderly residents with walking sticks lugging buckets to a communal tap would be considered shocking even in a third world country. These stories required extensive research and verification of information from a variety of sources, but Michael was equally adept in his sensitive handling of an extremely personal portrait of Tasmanian Senator Jacqui Lambie as she struggled to do the right thing by her drug addicted son. Michael has the ability to be both fearless and fair handed, exemplified in his confrontation with a forest contractor, which could have easily turned into an unenlightening slanging match. The judges were very hard pressed to separate the entrants in this category. The standard of journalism submitted was of a uniformly high standard of which Tasmanians should be proud. But in a very strong field, the ABC 7.30’s Michael Atkin has been adjudged Tasmania’s Journalist of the Year.

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